I am using the "Half-Boned Diderot Stays" pattern by Nehelenia Patterns, which I bought from (guess who?) Dylan Fabrics! It's a pattern company that is new to me, so I'm excited to dive in. I also bought the "Open Robe 1730-1760" pattern by the same company. 1760 is a tad early for this specific reenactment, but the Americas were slightly behind the Continent as far as fashions go. The other thing I like about this pattern is that as an open robe, I can make a few different petticoats**** and switch them out,
Oh, and I almost forgot, I ordered fabric for my gown! I got 10 yards of this block-printed fabric from India on eBay. Even if I make the petticoat out of the same fabric, the gown won't require 10 yards, but it won't hurt to have extra in case of mistakes. I'm a little nervous about when the fabric will arrive, since it's being shipped from India, but even if it's on the later side I should have plenty of time. I have plenty to do until it gets here!
Here's a picture of the gentleman who portrays John Adams. He's on the right. On the left is, of course, the venerable Dr. Benjamin Franklin, with George Washington between them:
Photo credit: IL Martin
Definitions, for those not familiar with sewing and historical costuming terms:
* Another word for a corset
** Coutil is a strong, heavy twill fabric used in corsetry.
*** Tracing chalk comes in one-sided sheets. You put a sheet face down on the fabric and run along the lines on the pattern piece with a marking wheel, and the chalk markings are transferred to the fabric.
**** In this era, "petticoat" referred not to the unseen garments that added shape and lift to the gown (that would be an underpetticoat!), but to the skirt made of fine fabric, intended to be seen in the opening of a split overgown. It could be the same as the main gown fabric or pull one of the colors from the design of the fabric.

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